Category Archives: Readings

Nick Flynn’s Insult Poetry Defies Grammar, My Heart

Nick Flynn @ McNally Jackson Books

Nick Flynn The Captain Asks for a Show of Hands

Proof that Flynn should be America's next poet laureate: the Word Find insult!

I came to Nick Flynn not by his poetry, but by way of his memoir, Another Bullshit Night in Suck City. This was during the height of my obsession with Raymond Carver, emulating (poorly) his stories and reenacting (with limited success) his life, one six-pack at a time. In these halcyon days, I believed heavy drinking was one step in the short march to a meaningful and respected writing career, that admitting to your friends that you might be an alcoholic was something you reported as if you’d just seen a spectacular car wreck: falsely aghast to cover the pride you know you shouldn’t feel.

I freely admit that it takes not a small bit of mental dexterity and college kid obliviousness to examine Carver’s history and come to the conclusion that alcoholism and promiscuity are badges of successful authors. It’s a meaty chunk of shame I’ve not yet swallowed, much less passed, in the eight or nine years since I first began channeling the spirit of a dead drunken frat boy masquerading as the ghost of Raymond Carver. I like to think that Flynn’s memoir helped purge those demons from both my pen and my self.

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Guest Post: Michael Ian Black Profanes a Synagogue

Michael Ian Black Reading From You’re Not Doing It Right @ The 6th & I Synagogue, Washington DC

Michael Ian Black You're Not Doing It Right

In MIB's defense, I often dreamed I was the Anti-Christ while sleeping through Mass

Ed. note: Michael Moats is a fellow book blogger and seeker of authors’ signatures. His tale is featured on today’s blog, and with good reason: Michael Ian Black unleashed amusing profanity within the sanctity of a synagogue, stirring the jealous wrath of a spiteful god. Mike Moats recounts the harrowing events of that evening, below.

The first thing Michael Ian Black does after the standard thank-yous and glad-to-be-heres is open up his laptop and start reading a review of his new book “You’re Not Doing it Right.” Black is not upset or particularly pleased with the review; he’s sharing it because “it is truly the most terribly-written piece of crap I’ve ever read.” (This and all quotes here will be paraphrased, FYI.) The review, and I’ll spare the author attribution here, was posted on a website no one’s ever heard of (MIB: “I think this is a college paper. If it is, it’s not a very good college.”), written by someone no one’s ever heard of. And he’s right: It’s garbage.

“Michael Ian Black is one of those comedians where guys wish to high five him while some girls want slap him across the face. In the end, he is only joking…or is he?” is how review begins. The reviewer stumbles through the trite (praise for “detailed descriptions” and “witty analogies”; MIB: “I mean, I know how to use a fucking adjective.”) to the incompetent (Black’s memoir is consistently referred to as a novel) to the impolite (“It’s an easy read that entertains and exposes the real life and funny mind of a D-list celebrity.” Emphasis mine, and Black’s when he reads it to us).

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Adam Johnson Goes to Bad Korea, Lives to Write About It, Insult Me

Adam Johnson Reading from The Orphan Master’s Son @ PowerHouse Arena

Adam Johnson Orphan Master's Son

Who besides the guy in line behind me could know the correct spelling of stupefying?

Something about Adam Johnson struck me as instantly likeable. I’d tiptoed late into PowerHouse Arena, maybe halfway through the audience Q&A, and quietly purchased a copy of “The Orphan Master’s Son.” Set my dainty ass on the concrete slabs, peered out from behind my thick glasses to my first visit to PowerHouse Arena.

Standing behind a podium or, later, sitting at a table, Adam’s height was striking –- an attribute that likely turned heads in Korea. I pulled out my notebook and began taking notes as Adam continued reminiscing about the citizens of the most secluded country in the world. Overall, his assessment was of a people fully aware of the life they lived, no “people’s paradise,” despite the ban on any outside media or the 24-7 barrage of propaganda.

His government-appointed tour guide, or “minder,” as he put it, accompanied him nearly everywhere he went in North Korea. The sips of information we receive via home videos released to the internet largely corroborate Adam’s summation: a crippled, sad country whose so-paranoid-it’d-be-funny-if-it-weren’t-real government is determined to put on a rosy picture for what few Westerners make it across their border.

But that’s one of many problems in finding the truth about what really goes on behind the desperately cheerful “minders” and frowning soldiers – so much of what we hear about North Korea is an anecdote, a story, a rumor. Adam used the example of in-home propaganda, a hardwired speaker or low-fi radio found in every home, ostensibly installed to protect against an American air raid. Though nearly every emigrant confirmed their existence, there’s no video, no picture, no “official” confirmation.

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Joyce Carol Oates Is (Still) Too Nice to Insult Me

Joyce Carol Oates @ Mysterious Bookshop

Joyce Carol Oates reading

Heart-shaped knocks

Dawn. I detested dawn. The grass always looked like it’d been out all night. I woke early with an all-percussion symphony playing in my head led by the empty bottle of scotch underneath my bed. Outside, the police sirens joined in with the garbage trucks to form a backup chorus that wouldn’t quit. Only a special dame could rouse these tired clichés from my cold, stiff fingers, and that dame was Joyce Carol Oates.

This wasn’t to be my first rodeo with Mrs. Oates. Almost two years ago, about the time I began this blog, Mrs. Oates was to sign books (no reading) in a back room of The Mysterious Bookshop. Because I couldn’t ask her myself, I approached the ridiculously accommodating Mysterious Bookshop employees about asking Mrs. Oates to insult me. After a quick explanation, they agreed. I was (and still am) incredibly grateful for their willingness to help a fellow book-nut in his pursuits.

I returned later that week, hopes high — they’d already helped me land an insult from a big fish like David Mitchell. And if David Mitchell liked the idea, I figured this insult idea must’ve been the best thing since mixed metaphors. Alack, it was not to be. While she laughed at the request, they later reported, insulting a stranger was something she couldn’t do.

Shocking! An author with novels like Rape: a Love Story was almost demure in real life. Rather than an insult, she drew a nice heart for my inscription, the most cheerful rejection I’d received.

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Adam Ross, Repeat Insulter @ Bookcourt

Adam Ross Reading Ladies & Gentlemen @ BookCourt

Adam Ross reading

Sneaky, Adam. Very sneaky

Adam Ross has a bit of Mel Brooks in him (but which part? Ba-dum-pssh!). Shining eyes that look small, set underneath a gentle curling dollop of sandy blonde hair. His almost cocky smile says he’s thinking of a joke I’d probably not get, and he’s probably right. Read his books, however, and you start to imagine a David Lynch or John Carpenter. Maybe that makes sense, describing an author by way of pop culture filmmakers: humor and psychological horror, with a dash of humanity.

The author of Mr. Peanut and now Ladies & Gentlemen is no stranger to dark humor. Peanut is confounding and at times brilliant, a grim (or any of the other “dismal” synonyms various reviewers have used, like “bleak,” “dark,” or “ominous“) and often fucked-up-funny portrayal of love, marriage, and ownership set within a detective novel’s framework set within another detective novel’s framework. Or something like that. I finished Peanut thinking I’d “figured it out,” but further examination and discussion revealed that the story’s plot twists and multiple characters and even the way Ross played with the very tropes and language of murder mystery novels were often beyond my understanding. “Frustrating, but I’m probably not quick enough… very worthwhile!” would be my blurb. Plus, Adam wrote a hell of a book and was one of my first insults, back in the day, so I’m looking forward to dissecting a more manageable frog in short story form.

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Gary Shteyngart, Chicken-lover, Reading from Super Sad True Love Story | Green Light Bookstore

Gary Shteyngart Reading Super Sad True Love Story

Gary Shteyngart signed book

I was wearing a T-shirt that read, Kentucky: Not Just Fried Chicken

This write-up was another post that I’ve struggled to release. I wanted to write something interesting and preferably humorous about the evening because Gary Shteyngart and his novel, Super Sad True Love Story, are intelligent and funny. I found myself unable to create a coherent message about what I was reading, what I witnessed and felt, and how that interacts with who I was and what I was doing. Some sort of blockage was happening, as paralyzing as it was frightening.

I’m going to probably stray into maudlin territory. I apologize; this was the only way I could get something out.

My girlfriend, and sometimes co-writer, goes out of her way to share the things I enjoy: literature, readings, insults, corgis. She is my conspirator in many of these signings, sitting next to me in hard plastic seats, chatting and offering a little shove of encouragement to wait in line for an insult. She’s the extra motivation I often need to even board the train out to Brooklyn after a 9-6 day of wageslaving.

On what was an otherwise amazing evening, with Shteyngart sounding easy and relaxed, entertaining his Brooklyn neighbors, I’ll remember Gary Shteyngart’s reading as the first time I fucked up bad enough to make my best friend cry.

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Dear Karen Russell, If You Need Someone to Take a Bullet for You…

Karen Russell & Wells Tower Discussing Swamplandia!

Karen Russell signed book

My 5th grade psychotherapist did say I was a manipulative prick

Karen Russell knows how to make a little blogger’s quiet heart squeal with joy.

Not only did she and Wells Tower engage in some hot back and forth over writing, novels, Florida, Southern Gothic, and Columbia University; not only did I get top-notch insults from two of the New Yorker Magazine’s “30 Under 40″ stud authors; not only did I eat crackers and cheese, with grapes and a bit of wine; not only were those vittles provided gratis by the NYPL and its Young Lions program; not only did I get yelled at only once for breaking some invisible line separating the cheese servers’ side of the buffet from the cheese eaters’ side of the buffet, mostly because my love of Brie demanded I get around the old lady taking her sweet time with a couple strawberry slices; not only did all of this go abnormally, amazingly well, but Russell sent me spinning by saying:

  • I was wondering if/when (ed: can’t remember which) you would come for my insult.
  • The people at Powell’s (awesome bookstore in Portland, OR) told me to watch out for you.

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Tao Lin Confuses the Fuck Out of Me | B&N Tribeca

Tao Lin Reading – Richard Yates

Tao Lin signed book

Tao Lin, darling of the sweatpants mafia

What the hell is going on when Tao Lin reads at the same type of corporate bookstore from which his “protagonist” steals books in his new novel, Richard Yates? Why does Lin’s muddled, muffled, painfully awkward high school sophomore-on-Xanax voice sometimes feel like an act, and Yates is his alibi? How is it that none of this matters, that Richard Yates might be an important comment on modern life, or it might be a hybrid cash-in novel based on a copy/paste transcript of a melodramatic Gmail relationship?

I’m stumped. There seems to be something going on here, but I’m not intelligent enough to suss it out. Three weeks I’ve struggled with this constipated idea and now I need to shit it out.

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I Yearn for a Sex Change | Amy Sedaris Reading @ Barnes & Noble

Amy Sedaris NYC Reading

Given my experience, I'd say I'm lacking the aridity and paucity

Amy Sedaris draws a young, excited crowd. Even at the very back of a packed Barnes & Noble reading space (where I was stuck squinting up at the craft-related action on-stage), otherwise jaded and cynical hipster-types — types who’d normally sneer at any physical show of excitement or participation — jumped out of their chairs in response to a call for questions. I counted at least 10 Sedaris fans, some uttering little unconscious “Ooh! Ooh! Ooh!” noises you get from little Kids Who Know, arms raised high in classic elementary school fashion or the double-armed waving “stranded in the middle of a lake on a boat with a dead motor” SOS manner.

Despite the distance and absolute certainty that she would not be called on, one girl in my row clutched at her scarf and bounced up and down, standing with one foot propped on the seat of her chair like she couldn’t quite commit to full-out Standing-On-a-Chair-level-desperation in front of peers. This was some serious arm-raising, designed to attract the gaze of a possibly myopic (judging by her glasses) Ms. Sedaris, all to ask that burning “‘Candy” question and satisfy some core-level need for star-fucking.

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The Sultan of Insults, Salman Rushdie: Gods Behaving Badly | 192 Books

Salman Rushdie 192 Books

Mancrush: confirmed

Salman Rushdie was tired. He peered at the crowd with hooded eyes as he stepped up to the podium, his body language screaming “fuck the Q&A.” This was the last stop on his reading tour for Luka and the Fire of Life, he admitted to a bit of fatigue.

Ah, but his voice! Rich and reassuring, with a drummer’s knack for varying tempo to change the mood. He is every inch a storyteller, a veteran professor working an old lesson plan on a fresh class of students. He read mostly from memory, stopping to look at the book almost as if to keep him on-task; it was like he was tempted to riff off the words on the page like good bands improvise off old songs, new notes and progressions unique to the moment or venue, a singular treat for the audience.

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